In the past few years, Hollywood has been troubled by the thought of ending up with only a handful of stars that can take over the leading roles. And so this has been the case for over two decades in Hollywood. CHAircraft941. So, there is a star lineup in Dune: Part Two, which makes you think about which movies could be on top.
Charming new faces that can carry heavy lifts, hardly limiting themselves, even to well-known ips, – are coming up. Rising is such a name Timothee Chalamet – who against all odds- atleast the cliché ones- has pegged himself as a deserving lead over two genres of fantasy – Dune and Wokna.
A Sweet Adventure
As his science fiction sequel continues to take the number one position at the box office, Chalamet’s origin story about how Willy Wonka became the character from the ‘Charlie and the Chocolate Factory’ came out on HBO Max. It has been directed by Paul King, the man behind Paddington films. In short, Wonka is a delightful children friendly musical fantasy.
In this particular version of the story, Willy Wonka does not remain in the jungle according to Mother but leaves and wools countries looking for atypical recipes to concoct his college. Arriving at a metropolitan geographical location, London, he intends to mesmerize the inhabitants of this metropolis by his advanced confectionery inventions that do not seem to besiege the citizens because of a chocolate trust which holds lease over the financial region. In the very beginning, there was a lot of grounds to be apprehensive — even specific prequels of beloved characters usually reek of some kind of forgery. The combination of Chalamet as the lead and the overall idea might have appeared as a joke from 30 rock or a skit from snl the same skit which Chalamet has been in. Paul King being the present director of the recent movie focuses largely on perception of the audience so not everyone is disappointed when watching a Die Hard sequel. Even King’s Classic treatments made new in this globalization era where every film maker seeks the consumer without any acknowledgment of sociological classes benefitting from every one of Roald Dahl’s twisted stories. The movie is characterized by wealthy and colorful set dresses, beautiful and well-thought-out visual elements to and a highly active musical component, which was composed by Neil Hannon from The Divine Comedy. None of the songs come out as hit songs, but each of them has totally nailed for its intended circumstantial placement and fitted into those taped sheds.
However, Wonka surpasses expectations. While far from flawless (Chalamet’s character sometimes feels threatening to the plot but hardly ever), it provides an engaging quest that is closer in essence to family entertainment offered by Disney than the bulk of last ten years’ live action remakes. If sceptical audiences have been converted, there has to be something magical about the film, maybe even an Oompa Loompa or two.